Volt-Age 2026 Student Exhibition: “Advancing electrification for shared prosperity”
The inaugural 2026 Volt-Age Student Exhibition, featured at our Electrify Society Summit Gala, asks: How can art illuminate the path to a more sustainable and equitable future? It invites artistic creations that engage with the ideas and possibilities of electrification, highlighting the role of creativity in shaping a sustainable and equitable future.
While Volt-Age’s research is heavily focused on science and technology, interdisciplinary work, including the arts, remains fundamental to achieving lasting impacts on Canadian society. Artistic practices are critical not only to promoting and improving community engagement and knowledge mobilization, but also to informing research design and exploring and developing new ways of thinking.
DANCE-THEATRE
Rouge, Oil, Blood
Rouge, oil, blood is a critique on the tradition of oil extraction from the perspective of a human body, which has itself become an oilfield. By speculating on/with the human body, this piece shows how our individual and social lives are contaminated by oil extraction and that green energies are refuges in which we can sooth this exploitation.
Rouge, Oil, Blood
Kian Moradi (Idea/Dramaturgy) is a PhD student in Humanities at Concordia University specializing in the aesthetics of performing arts and focusing on interdisciplinary approaches to dance, theatre, and process philosophy. He holds an MFA in Theatre Practice and an MA in Dramatic Arts. Since 2002, he has created performances in Iran and Canada and participated in various festivals.
Homeyra Esmaeilzadeh (Directing/Choreography/Performer) is a BFA student in Contemporary Dance & Theatre at Concordia University. She began performing in Iran, in theatre puppetry and Iranian folk dances. Currently, she examines how contemporary dance and theatre can help one another to maximize the aesthetic effect on the audience.
Kristian North (Sound/Light Design) is a genre-agnostic songwriter, musician, and composer based in Tio’tia:ke /Montréal. Since 2003, he has performed original music and toured internationally. His compositions value chance, live performance, and collaboration. He focuses on visual music and analogue technologies. He holds a BFA in Electroacoustic Composition and is pursuing an MA in transdisciplinary research creation at Concordia University.
Luna (Xuexin) Tang (Scene/Costume Design) is a Chinese-born scenographer with a background in mechanical engineering. Her work investigates how technology, materials, and mise-en-scène can construct emotionally charged environments. Through installations and performance collaborations, she explores how objects and spatial composition can carry memory, tension, and cultural narratives.
Nathaniel Cancela Edsell (Performer) is a transgender movement artist based in Tiohtià:ke / Montreal, whose focus is contact improvisation, contemporary dance, and somatic exploration. With a 15-year background in martial arts, he emphasizes flow, physical listening, and responsiveness. For him the body holds memory, shapes relationships, and embodies personal/social transformation. He is currently studying Contemporary Dance at Concordia University.
Portfolios/Past Works
INTERACTIVE INSTALLATION
Connectivity Map
Connectivity Map is an interactive and collaborative artwork representing an abstracted map of Canada and its potential electricity distribution grid illuminated on a track of optical fibre attached to two right-handed gloves. Participants are invited to wear the gloves and interact with one another to observe the transformation of the artwork. The spectator can observe what a scaled and optimized electricity system can look like when we collaborate.
Connectivity Map
Since 2021, Trisha Chakrabarty and Camille Dorvilier-Schell have been creating short films and interactive artworks that encourage today’s youth to share their experiences and hopes. Their creative process begins with a discussion of a shared goal or feeling. They explore this central idea through conversation and poetry, then develop it into imagery using their artistic abilities and technical/electronic skills.
S.O.S. (2021)
Short film
A work created for the Maux d’Ados competition, exploring dissociation and isolation during adolescence through a poetic visual and audio montage.
SCULPTURE
The Wheel Lamp
The Wheel Lamp is a conceptual piece emerging from the artist’s exploration of the themes of upcycling, repurposing, and readymades. It presents an insight into how lamp designs can spark from found objects. With an interest in conceptual art, the lamp stands between the functional and the conceptual. The thought of transforming discarded bicycle wheels into a luminous object reflects the limitless possibilities of repurposing materials.
The Wheel Lamp
Wan Xin Zhang (Wendy) is a Chinese artist and designer currently enrolled in the Design program at Concordia University. Having moved from China to Canada at a young age, her perspective is shaped by a blend of Eastern and Western cultures. Her work often emphasizes conceptual practices, exploring ideas through physical making, with the process and underlying concepts taking precedence over the final object. She enjoys creating with her hands, shifting between conceptual art and physical making. Wan Xin is drawn to materials, process, and the space between the tangible and intangible. Her projects typically start with a concept but often include an unexpected twist.
Portfolio/Past Works
PHOTO GALLERY
Inukjuak: A Community in Transition
This photo gallery captures a crucial moment in Inukjuak, an Inuit community in northern Quebec, as it transitions from diesel dependence to community-owned clean energy. Through portraits and landscapes, the series weaves together stories of resilience, leadership, and hope. At its centre is the Innavik Hydroelectric Project, a 7.5-megawatt, Inuit-led initiative that now powers most homes, marking a major step toward energy sovereignty and a net-zero future.
Inukjuak: A Community in Transition
Lina Forero holds a Bachelor of Arts in Communication Studies and Journalism from Pontificia Universidad Javeriana in Colombia and is currently a Master’s candidate at Concordia University. She works as Senior Communications Manager at Indigenous Clean Energy, where she leads storytelling and strategic communications efforts. Prior to this role, Lina gained experience in television production, print and digital media and community radio. In 2019, she was awarded the CBC Joan Donaldson Scholarship. Lina is passionate about promoting Indigenous-led climate solutions and clean energy initiatives.
PERFORMANCE
Corps Commun
COHEASIO is an interdisciplinary performance by the Corps Commun collective that uses improvisation as its compositional driver, bringing sound, movement, and visuals together within a shared, ever-evolving space. Through the exchange between three artists and their distinct mediums — acoustic, electronic, and visual — the work weaves a relational web in constant transformation. Rooted in a search for cohesion, the performance creates an immersive environment that invites dialogue, deep listening, and presence. Boundaries between forms gradually dissolve, allowing a fluid experience to emerge, where bodies, images, and sound connect and evolve together in relation to the audience’s attention.
Corps Commun
Corps Commun is an interdisciplinary art collective based in Montreal, creating performances that combine sound, bodies, and space. Their work is hands-on and experimental, shaped by their backgrounds in sound, visual, performance, textile and installation art. What defines their practice is how technology is integrated as a subtle extension of the body, supporting the material and deepening the sensory experience without dominating it. Through this process, they aim to create immersive environments where the audience can feel freely. Corps Commun will be part of Fault Line, the closing night of the Art Matters Festival 2026.